Start with an anchor: your largest print (50×70 or bigger), hung at eye level. Build outward with 2–3 30×40s and a few A4s, keeping gaps consistent — 5–8 cm reads as deliberate. Unity comes from one repeated element: a shared colour, a shared frame, or a shared theme. Mixing subjects works when the palette agrees; mixing frames works when the subjects agree. Lay the arrangement on the floor first, photograph it, and live with the photo for a day. Then commit — and remember that gallery walls are meant to grow....
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Black is the gallery classic — it sharpens graphic prints and typography and anchors a gallery wall. White disappears elegantly on bright walls and suits soft, airy artwork. Oak brings warmth and works beautifully with botanical and vintage travel prints; dark oak adds a moodier, library feel. Our painted wood colours — from teal to lilac — are for walls with personality: pick a colour that echoes one accent in the artwork and the whole room clicks together. Add a passepartout for instant gallery depth: the mat gives the artwork...
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The most common mistake with wall art is going too small. A quick rule: your art (or group of prints) should span about two-thirds of the furniture beneath it. Above a sofa that usually means 70×100 cm or a pair of 50×70s; above a desk or dresser, 40×50 or 50×70 works beautifully. For shelves and gallery walls, mix A4 and 30×40 — the variety keeps the arrangement lively. In hallways, tall narrow sizes like 40×50 and 50×70 hung at eye level (center around 145 cm from the floor) feel intentional. Still unsure?...
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